![]() ![]() The walls often were often hung with rich tapestries, and a fireplace would keep the entire room warm despite the stone walls of the castle.Īs with the great hall, the solars of late medieval manor houses and palaces became far larger and more richly decorated than the ones that can be found in earlier castles. It was typically more finely decorated too, adorned with ornamental woodwork and masonry. It was also used as a place to relax and could function as space for the lord to conduct private business and hold meetings.Īs it was intended as a private space for high-status individuals, the solar was much smaller than the great hall. The solar allowed the lord of the castle and his close household to withdraw into privacy, away from the noise and business of the great hall below. Its name derives from Latin, either from the word solaris meaning ‘sun’ (which could relate to the brightness of the room), or from the word solus meaning ‘alone’. The solar was the private living quarters of the lord of the castle. These upper floor chambers were also known as the ‘Great Chambers’ or alternatively as the ‘Solar’. In some cases, the private bedroom of the lord would have a small hole leading to the great hall, which would allow him to overhear conversation there. Typically, in a medieval castle, servants of the household would have access to these bed chambers in order to tend to their master and mistress, and they often slept on the floor of one of the living rooms, or even on the floor of the bedroom itself in some cases. The private bed chambers of a medieval castle were typically accessed by a small passage at the top end of the great hall – often the bedrooms and living rooms of the lord and lady of the castle, and their close family or honoured guests, would be on the first floor of the structure. Bed Chambers and the Solar De Haar Castle The social distinction between lord and servant became more distinct too, leading to the development of smaller, more private rooms in noble accommodation. Powerful local men were more likely to look to the king for status and protection, meaning lords had smaller inner households. However, by the late 16 th century the great hall was beginning to lose its importance, thanks to the centralisation of power in the hands of royalty. In western France, a smaller, more private hall is known as the salle haute or ‘high room’ emerged, situated on the first floor of manor houses above the larger great hall – it was in this upper hall that the lord and his high-ranking guests would dine and relax. The larger manor houses and grand palaces of the late medieval and early modern period also led to the construction of vaster halls. In a similar vein, as the great hall was the primary room of a castle it was often adorned with other decorations – these impressive rooms would often feature vaulted ceilings and intricate window frame mouldings, for example.Īs the medieval period progressed, great halls became larger as the size of castles increased. Smoke either left the room through a small vent in the ceiling (Ludlow Castle has an example of this), or a chimney was constructed.įireplaces, and in particular mantelpieces, were often elaborately decorated with coats of arms and other heraldic devices carved out of wood, plaster or stone. Great halls also featured large hearths, for the purposes of cooking and heating (although in larger castles kitchens were situated in separate rooms). Usually, there was also a large window allowing natural light into the hall, although in a castle this window could be relatively small so as not to compromise the defensive effectiveness of the fortification. The room would also have a high ceiling as well as a raised area or ‘dais’ at the high end of the hall, where the lord, his household, and his guests would dine, in clear view of the rest of the hall. Typically, a great hall would have a rectangular layout, with a floorplan between one and a half to three times longer than it was wide. The great hall had many different functions: it could be used to receive guests and hold ceremonies it could be used as a dining space, both by the family and household of the castle’s lord and by guests the hall could also double as a sleeping space, with members of the household bedding down on the floor. The Great Hall was the main room of a castle, and the largest room – great halls could also be found throughout the medieval period in palaces and manor houses. 9 Storage Rooms Great Hall Great Hall at Edinburgh Castle ![]()
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![]() ![]() For more details, you can see our full changelog here. This update revamps our Click Latency test and results in changes to test results. It almost looks like its teleporting rather than gliding, making it hard to control. I dont know if it got loose, but normally you can feel the bumps when scrolling but when I do it slowly or softly I dont feel the bumps and I can do like 10 scrolls and itll only register 2 out of those 10 times. During random times, my mouse will begin to stutter. We've converted this review to Test Bench 1.1. 1 Hey there, Over the past few months, I have been having an odd issue with my PC. We've updated the text to reflect our new results in various sections, including the Click Latency test box, Usages, Introduction, and other locations where we discuss click latency. We've updated this review to Test Bench 1.1, which revamped our click latency test methodology. For more details, you can see our complete changelog here. ![]() This update simplifies our Weight test and expands on our CPI test from Test Bench 1.1, resulting in changes to test results in both sections. Step 1 Remove Side Cover Start by removing the side cover or pinky rest. We've converted this review to Test Bench 1.2. For more information, you can check out our full changelog here. This update adds a new Sensor Latency test and makes minor changes to several of our existing tests, resulting in test result changes in several sections. We've converted this review to Test Bench 1.3. The Corsair Harpoon RGB Wireless makes wireless gaming mice accessible to almost everyone with its unbelievably low price, excellent ergonomics and seamless connectivity. ![]() ![]() That was very cool of you guys to offer this.īut I do have to make note of one thing LOL. The lossless recorded Qobuz tracks can be uploaded to any media players as you want.Although the folks from Qobuz probably won't read this, Thank You very very much for your generosity. You can download songs whichever you like on Qobuz without payment. The VerdictĪs you see from the above, the helpful tool - DRmare Audio Capture enables you to capture and download the Qobuz audio tracks no matter you are a free account holder or a subscriber of Qobuz. Finally, you can get the downloaded Qobuz playlists for offline listening with ease on your device anytime. Tap on the 'Converted' > 'Search' icon, you can locate the recorded Qobuz playlists. Click the 'OK' > 'Save' button to save the files. Furthermore, you can also edit their ID3 tag s such as genre, artist, title, year and so on. Step 4Edit the Recorded Qobuz Tracks Touch on the audio track and you can see an 'Edit' icon. For a full recorded Qobuz track, you are suggested to buy the DRmare Audio Capture. Note: The free trial of the DRmare software only offers you a one-minute recorded file of each Qobuz track. In addition, you can reset the name of the songs in the window of the DRmare tool. When the songs stop playing, the recording will come to an end at the same time. Then the DRmare Audio Capture will automatically capture the audio and download Qobuz music to your computer. Play the songs you plan to record and download. At last, click the 'OK' icon to finish your settings. Besides, you can also personalize the channel, bit rate, sample rate and codec. Then you are able to define the output format. Tap at the 'format' button on the bottom right. Step 2Customize Output Parameters for Qobuz Before you record Qobuz music, you need to set the output parameters. If not, you should hit the '+' button to add it in. Please make sure that the Qobuz program is in it. You will see the interface full of icons of software or web browsers. Step 1Launch DRmare Audio Capture Download and install the DRmare Audio Capture on your computer. So how to import music from Qobuz to your device for offline use? You can get a concrete guide as follows. Most importantly, the recorded Qobuz tracks are kept losslessly with their ID3 tags preserved automatically. Moreover, you can download Qobuz songs as the files formed in M4A, MP3, AAC, M4B, WAC or FLAC. You can use it to capture and record Qobuz music for free. With this tool, you can record and download music from Qobuz with a free charge. How to download the playlist from Qobuz? We will recommend you the professional Qobuz downloader - DRmare Audio Capture. To access to Qobuz music on your phone or computer for offline listening, you are supposed to get Qobuz music downloads. ![]() Qobuz Downloader to Download Music from Qobuz When a month is gone, it's up to you whether you would upgrade your account to a premium one. Thus, you can enjoy your favorite albums or tracks during the days without subscription. ![]() On the other hand, you can play music on Qobuz with a one-month free trial. Yet if you subscribe to the plan, you are allowed to download Qobuz music on your device for offline playback. A conclusion can be drawn that they all cost you a great deal per month. Qobuz offers four music streaming services: Qobuz Premium ($99.99/year), Qobuz HiFi ($199.99/year), Qobuz Studio ($249.99/year), and Qobuz Sublime ($299.99/year). To save your money and get lossless music from Qobuz, we will show you the best way to play Qobuz on macOS or Windows. However, it needs you to pay for a subscription plan. Some music enthusiasts may want to download songs on Qobuz for entertainment. It also provides the service of music downloads in CD quality. It offers you over 40 million tracks of high quality with a free trial or subscription service. ![]() What is Qobuz? Qobuz is a music streaming service founded in 2007. ![]() ![]() ![]() The Alcatraz track from the arcade version was removed to make way for improvements of stunt mode. The home version of San Francisco Rush 2049 was released in 2000 for the Dreamcast and Nintendo 64 with major changes. The SE version was produced by Betson Enterprises and released in 2003. These games featured 2 additional tracks and a number of additional cars, as well as bug fixes (mostly to eliminate certain dubious racing practices). Two rarer versions of Rush 2049 exist: SF Rush 2049 TE and SF Rush 2049 SE, which stand for "Tournament Edition" and "Special Edition", respectively. Also new is Rush 2049 uses coins, which replace keys when unlocking new cars. Except for two returning cars, all cars in this game are new. Unlike Rush 2, Rush 2049 does not carry over cars from the previous game. It features 4 all-new tracks as well as a returning track, Alcatraz, re-invented for the future. San Francisco Rush 2049 was released in arcades in 1999. Rush 2 includes every car that was used in its predecessors and includes several more (both hidden and default) that are new to Rush. ![]() Like the last home game, new cars are unlocked by collecting keys but now Mountain Dew cans are also featured. ![]() It is also the first Rush game to have a proper stunt track (rather than the hidden stunt track in the Nintendo 64 version of San Francisco Rush). This is the first game in the series that does not include the core three tracks from the original San Francisco Rush, and the first, and only, that includes multiple cities to race in. Rush 2: Extreme Racing USA was released in 1998 on the Nintendo 64. 4 new cars were also added which are also included in the next Rush game. San Francisco Rush The Rock: Alcatraz Edition Īlso released in 1997, San Francisco Rush The Rock: Alcatraz Edition included the 4 new tracks from the home version and added additional shortcuts to them all. The finalized version of the track was eventually released in "San Francisco Rush The Rock: Alcatraz Edition" in arcades and Rush 2 for the Nintendo 64. The version plays like a beta, with many textures unfinished on the track and lacks many shortcuts. Instead, the developers decided to hide the track within the game, rather than completely delete it. The developers of the game later revealed, via interviews with IGN, that the track was originally to be included in the final release, but was cancelled by the publisher due to the cartridge running out of space to hold the finalized track. Via a special code, or through such hardware like Gameshark, an unfinished version of the Alcatraz track could be unlocked within the game. Several months after the game's release, there were rumors about a bonus " Alcatraz Track" hidden within the game. Within the game's 6th track is a hidden stunt track. The game also included new shortcuts that were not in the arcade's original three tracks. This included 3 additional cars (bringing the total to 11) and four additional tracks (bringing the total to 7 1 of these tracks was hidden). The original arcade version was followed by the home version for the Nintendo 64 in 1997. San Francisco Rush: Extreme Racing (home version) The original San Francisco Rush: Extreme Racing was released in 1996 in the arcades and included 3 tracks and 8 cars. Rush series San Francisco Rush: Extreme Racing Rush the series has adopted its street racing atmosphere. The games consist mainly of racing with various cars on various tracks, and to some extent, including stunts in races. Rush is a series of racing video games developed by American-based company Atari Games and published by Atari Games and Midway Games for home consoles. ![]() Arcade, Nintendo 64, PlayStation, PC, Dreamcast, Game Boy Color, PlayStation 2, Xbox, GameCube, PlayStation Portable ![]() ![]() #YouTubeRewind was the number one trending topic on Twitter on Wednesday. Stay tuned for the video drop at 10:00 am PT! - /UwEKhmYhNL ![]() Just popping in to unbox #YouTubeRewind real quick. To build anticipation for it, YouTube created an "unboxing" video – another route brands in the toymaking industry, for instance, take to advertise their products. The video, titled YouTube Rewind 2015, includes: Bethany Mota, who makes beauty and fashion videos and has participated in video advertising campaigns with companies such as Forever 21 and JC Penny Todrick Hall who has worked with Fiat Joey Graceffa, who has helped to promote brands like Top Shop, Procter & Gamble, Intel, and eBay and Miranda Sings, who has worked with brands such as Hallmark.Ĭelebrities such as John Oliver and James Corden also have cameos. While it is understandable that neither advertisers nor some in the community would want controversial creators like PewDiePie and the Paul Brothers in Rewind, YouTube’s blind insistence on purely advertiser-friendly creators has led it to miss the people and content that made YouTube great in 2018.Digital influencers have several starring roles in a video YouTube put together highlighting people involved in the site’s most popular videos of 2015. As demonstrated by user backlash over Tumblr’s new policy concerning NSFW art, media platform sites may make business decisions to the detriment of the community, and YouTube has done this with Rewind 2018. These roles are often difficult to balance and compete with one another. It is important to remember that YouTube is both an online community and a business. Why YouTube Rewind 2018 was so disliked by its own community was that it focused more on its advertisers than its community. In Rewind 2015, YouTube celebrated gay marriage in the U.S, but the focus still remained on the community and its tapped-in creators. In the unfairly maligned Rewind 2017, YouTube masterfully balanced events that occur within the community with events that affect as all by having the creators hold hands and showing some of the news coverage about traumatic events that year. It was bad because there was never any overt linking of these issues to movements in the YouTube community and user experience. The campfire scene in the middle of the video wasn’t bad because it mentioned important and divisive issues like diversity, mental health, and representation. Lack of connection with the community even affected the video’s more political messages. A Compliation of the past 4 years of YouTube.This video is Not monetized by me.Rewind YouTube Style 2012What Does YouTube Rewind Say 2013Turn Down for Youtub. ![]() These more relevant YouTube allusions were replaced with overdone Fortnight references. While Walmart Yodeling Kid thankfully made it into the video, similar internet phenomenon like T-Series and Johnny Johnny Yes Papa was not even mentioned. In exchange, the Rewind failed to highlight creators that defined the year like Shane Dawson, who’s documentary videos on the lives of YouTubers changed how people viewed the platform.īy having a small cast of creators that were not all well attuned to the YouTube community in 2018, the year’s Rewind couldn’t speak to trends and events that had shaped the year for that site. ![]() Despite her continued popularity and talent, it’s difficult to make the case for why a creator like Koshy should be featured in a video reviewing 2018 when her last content video was in late February of that year. Songs of Youtube Rewind 2015 - Part 1Hola, gracias por estar aquí :)No olvides suscribirte para más videos, y de activar las notificaciones.Hello, thank yo. Featured creators like Lily Singh, Casey Neistat, and Lisa Koshy, have all attempted to move towards more mainstream acting projects. There were many celebrities who did not start in the YouTube community, such as actor Will Smith, late night show hosts John Oliver and Trevor Noah, and Twitch streamer Ninja.Įven some of the content creators in the Rewind that started in YouTube are no longer as attached to its community. Additionally, very few of the people who are featured in the Rewind have a strong presence within the YouTube community. While the decision may have been a stylistic choice to help with Rewind 2018’s more storyline structure, the loss of so many creators was felt during the video. Despite the continued growth and diversity of the platform, this year’s Rewind included around 100 creators, less than half the size of last year’s over 250 strong creative cast. ![]() Far more worrying was the culling of YouTube content creators featured in total. ![]() ![]() ![]() You can leverage the reduced mass of Revo Micro with a Bowden setup to squeeze more speed performance from your motion system. The result is Revo Micro, which is the smallest HotEnd we’ve produced so far. ![]() This means we’re able to use a really small heatsink to dissipate heat. This drawing process strengthens the metal and gives it really, really low thermal conductivity – similar to that of titanium. To make this, we cold draw medical-grade stainless steel (that’s the kind you’d find in an injection needle) to yield a thin-walled tube. Tiny, ultra-quiet 5V fan and step down board includedĪ key component of Revo Nozzles is a stainless steel tube.Aluminium construction with black anodised finish.Small, lightweight design allows you to squeeze more speed performance from your motion system.Occupies less space inside your 3D printer than a conventional HotEnd.Let’s explore what we’ve been working on… Revo cold sides come in all shapes and sizes to suit a variety of use cases. No crispy bacon fingers from touching hot metal. But cold nozzle swaps and no more hot tightening? We think this justifies it completely! No need to find spanners or other tools to change a nozzle. Inevitably, this comes with trade-offs: our older ecosystems lose compatibility with Revo stuff due to the cold side having a longer and wider hole to accommodate each Revo Nozzle. This means you can make nozzle changes using just your fingers – a huge advantage!Ĭhanging a V6 nozzle vs changing a Revo Nozzle on a Prusa MK3S Revo works differently: the HeatBreak has been integrated into the nozzle, so you can avoid hot tightening completely. Our older V6 ecosystem used a separate nozzle and HeatBreak, which would screw into either side of a heaterblock to form a hot side. We sink hundreds of man hours into validating everything we design to keep the risk of heatcreep to a minimum, so you can enjoy perfectly consistent extrusion with every 3D print!Ī small lip at the base of each Revo cold side allows you to clip on a Revo HeaterCore retention spring. In the worst case, you won’t be able to print at all and will have a clogged HeatBreak to replace. In the best case scenario, heat creep will leave your 3D print looking fugly and inconsistent. Too much heat travelling up the cold side causes extrusion issues. We’ve also experimented with water-cooled cold sides in the past, but for most situations we find the most effective cooling method is air: it’s cheap, it’s everywhere, and it doesn’t damage electronics when it leaks. Most HotEnd designs use air cooling, where a heatsink and fan draw away any heat that’s built up in the cold side. Some heat will invariably find its way into the cold side, and if it isn’t dissipated it will build up.īudget HotEnds on the market may be able to dissipate heat, but the question is: do they do it effectively? Dissipating heat from the cold side is a dark art. We do this because these metals have very low thermal conductivity, so less heat will conduct up into the HotEnd’s cold side. We make our HeatBreaks out of stainless steel or titanium. So, it’s important to have a cold side that can dissipate the heat from the hot side well.Įvery HotEnd has a hot side and a cold side If backflowing happens, this means extruder jams, print failures, machine downtime, frustration, and rage. ![]() Its primary function is to stop molten filament backflowing up the HotEnd’s filament path. This is where material is heated and pushed through a nozzle – an essential part of FFF 3D printing.īut without a cold side, it would be difficult to 3D print anything at all! The cold side is the part of the HotEnd that mounts on your 3D printer. The most well-known part of a HotEnd is the hot side. These are separated by a ‘ HeatBreak’, which does two things: it mechanically joins and thermally separates the two halves. Revo Hemera, Revo Micro, Revo Six, and Revo Voron cold sidesĬlassic HotEnds like the E3D V6 can be thought of in two halves: a ‘hot side’ and a ‘cold side’. ![]() ![]() Wherever they pointed their camera, you would see the fictional worlds the animation team had conjured up. Once this expansive terrain had been established, the crew of Surf’s Up could grab a camcorder or any other type of camera and capture these computer-generated entities in real-time. To properly realize handheld camerawork within the confines of an entirely animated world, Surf’s Up was often filmed through a means that the directors described as “ motion-capture for the camera.” Animators and a layout team had to create a whole 360-degree digital world for the penguin characters to inhabit, rather than just the items that would be in a given shot. Speaking of visuals, Surf’s Up especially deserves more recognition for its groundbreaking animation and filming techniques. Whereas Happy Feet strove for realism in its character designs, Surf’s Up embraced cartoony designs and a juxtaposition of sandy beaches and penguins, both of which leave reality far behind. Plus, despite being told through the “grounded” means of a mockumentary format, putting these critters in a sunny environment makes Surf’s Up the kind of story that could only be accomplished through animation. By setting the story in a tropical environment, it was impossible to confuse Surf’s Up with the likes of Happy Feet or March of the Penguins. ![]() Surf’s Up also managed to stand out thanks to one critical detail that cemented its unique identity compared to other penguin-centric films. The latter element proves especially amusing in a standout scene where adversarial surfer Tank ( Diedrich Bader) shows off his various trophies and their names to the camera crew. The Sea star of the waves (Cody Maverick x female reader) by leddergirl. This affords lots of fun opportunities for unique bursts of comedy that you couldn’t do in a traditional animated feature, including cameras getting knocked over, mics slipping into the frame, or direct interviews with the fictional characters. Read the most popular surfsup stories on Wattpad, the worlds largest social. Though it gets dropped for a handful of larger set pieces, Surf’s Up largely commits to emulating a documentary style of shooting within this penguin-populated world. RELATED: Exclusive Video Interviews from the SURF’S UP Premiere in Hawaii Teenage Rockhopper penguin Cody Maverick (voiced by Shia LaBeouf), an up-and-coming surfer, enters his first pro competition. But those familiar tendencies are used as a template for more daring storytelling and filmmaking choices, including the mockumentary filming style. Certain characters, like Chicken Joe ( Jon Heder), fit right into the archetypes you’d expect to find in any American animated kid's movie. The plot for Surf’s Up is nothing extraordinarily unique. ![]() Plus, he’s managed to stumble onto a potential coach in the form of Big Z ( Jeff Bridges), a penguin surfing legend that went missing years earlier. But an opportunity to participate in a surfing competition on the sunny tropical shores of Pen-Gu Island means that Maverick has his shot. ![]() ![]() ![]() Now you will see the external root drive in addition to the volume below it. Choose Show All Devices from the options.
![]() ![]() On Twitter, Facebook, Google News, and Instagram. IWork for iCloud will be made available in fall this year.įollow HT Tech for the latest tech news and reviews, also keep up with us Because all of these functions are stored on iCloud users can edit documents or give presentations from anyone's PC or Mac not just their own. Pages enables users to create letters and reports and is supported by pre-existing Apple created templates Numbers - which will now support Microsoft Excel - enables users to create and edit spreadsheets, which can support images, and comes with 250 pre-built functions for number crunching and analysis Keynote - which now supports Microsoft Power Point files - enables users to create colorful presentations and again comes pre-loaded with Apple designed templates as well as a graphics management tool. The collection of apps includes Pages, Numbers. The new cloud-based version of the iWork software suite provides many of the original editing features found on Mac and iOS incarnations such as Keynote, Numbers and Pages. iWork is Apples suite of office apps, available for macOS, iOS, iPadOS, and web apps through. Users will also be able to edit existing documents created by rival systems such as Microsoft's Word, Excel and Power point programs using iWork for iCloud. Simply log into your iCloud account, and you'll find free versions of the Pages (word processing), Numbers. ![]() Apple launched iCloud in mid-2013, allowing its iPhone, iPad, and Mac users to tie their data. The tool supports a drag-and-drop system, meaning that users can simply drop a file into a browser window with iWork running and it will automatically open and the document will then be saved to Apple's cloud-based storage system iCloud. 30 In conjunction with Thursdays iWork app updates for iOS and Mac, Apple has removed the beta tag previously adorning the icons of Pages, Numbers and Keynote in iCloud, while adding a number. The beta version of Apple's iWork for iCloud is now available to the public. Apple's web-based service is currently for free, though there's no guarantee it will stay that way. ![]() ![]() ![]() To become Glen means to be brainwashed by Jury and physically stamped with a seal that enforced servitude to their predecessor agonizing rituals to pass on power in the form of the Black Winged Chains and the eventual excruciating death of the succeeded Glen once his reign had ended.Ĭountless generations of Glen continued to sustain this system under the assumed purpose of protecting the order of the Abyss. Each inheritor of the title is at once indoctrinated to be subservient to Jury and her influence, while also groomed to enforce his own power over all others who are beneath him. The process of passing down, inheriting, and serving as Glen is a deeply painful one for all incarnations. Each incarnation of Glen possesses their own individual personalities which may even come into conflict with one another, but ultimately all functionally exist to be the singular person around which the Tale is spun. Glen Baskerville is a role that is passed down from generation to generation by way of reincarnation in order to continue the line of power. Leo, though he spent his whole life trying to deny it, was determined to inevitably inherit the role and bring about the return of Glen Baskerville. For the next century afterwards there would be no incumbent Glen to rule over and maintain the order of the Abyss nonetheless a new incarnation would come into being. However before succession could fully begin for Gilbert, the Tragedy of Sablier took place and brought everything around the Baskervilles and Glen to ruin. After executing his Ill Omened younger sister Lacie, Oswald took in Gilbert as his eventual successor and Vincent who was to be executed for being Ill Omened. Only a few years before that occurred is when he would pass the title to his successor Oswald, the most prominently known Glen and best friend of Jack Vessalius. The earliest known incarnation of Glen is Levi (though there have been passing mentions of his predecessor) who was the ruling Glen for decades before the Tragedy. Jury would mislead them to believe this system was to protect the harmony of the Abyss, when in reality it served to bring about its eventual End. This is the system that has been maintained for eons, of the Child of Ill Omen's untimely death and Glen's unquestioning absolute power. To prevent their defiance, Jury named the Children of Ill Omen abominable existences and demanded for the execution of every single one, which would be performed by Glen himself. ![]() Because of this Children of Ill Omen cannot be perceived by Jury nor controlled by Glen, and are the sole beings who can communicate with the Core unrestricted. ![]() In response the Core of the Abyss created the Children of Ill Omen, whose existence and purpose are completely counter to that of Glen's-to save the Abyss and its Core from such a lonely ending. It is Glen's divinely-given purpose to bring the Tale-the world to its correct "End." This is Glen Baskerville, and his every interaction with the Core of the Abyss, the being who embodies the Abyss itself, is meant to eventually cause her destruction. Each parallel world and Tale is to have a different conclusion, for which a "Crossroads" is provided to facilitate. ![]() The purpose of the Abyss is to serve as a " Tale," one of countless other versions, which is recorded by the Jury then preserved in the "Library" of the great beyond. The universe they all live within and the Abyss by which Glen's existence is defined was first created by the deific entity Jury. Glen Baskerville is not any single individual person-rather it is an entity, title, and role that has been passed down through countless generations since the beginning of time. ![]() |
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